The legacy of Frankenstein’s monster collides with the sociopolitical tensions of the present-day United States.
There is something mesmerizing in a retelling that captures the essences of an original property while elevating it to the modern zeitgeist. Victor LaValle’s Destroyer, a graphic novel written in collaboration with illustrator Dietrich Smith, is such a piece.
Following Dr. barker, a brilliant scientist propelled forward by the loss of her son Akai to police violence, Destroyer is an examination of the grief that white supremacy creates, and the turmoil that is in turn born from that grief. It is, when applied, a force to be reckoned with, and when left to fester it is unpredictable and destructive—but rarely is the harm ever truly healed or the source eliminated. Through the lens of Frankenstein, Destroyer unmakes the original Frankenstein mythos and reevaluates it in a way that makes creation stem less from individual hubris and something more akin to desperation. When everything that Dr. Barker loves is dismantled, she takes it in her own hands to rebuild, reclaim, and ultimately repurpose her suffering.
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